
In the weeks immediately following September 11, Kevin Bubriski made four pilgrimages to the World Trade Center site from his home in Vermont to witness and record the impact of the tragedy. Like so many who had experienced the events from a distance, Bubriski was driven to visit Ground Zero in an attempt to come to terms with the horrifying scenes reported on television and in the papers. At the barricades surrounding the site, Bubriski found people experiencing a remarkable sense of community, but also the deepest kind of personal reflection on loss and mortality. Businessmen, teenage friends, families, young lovers, and visitors from around the world approached the site slowly, and eventually came to a full stop, planting their feet firmly as if to keep themselves from wavering or falling. Each visitor then began a moment of quiet reflections, staring off at the mountainous ruins of twisted steel and debris amidst an omnipresent swirl of acidic smoke. It was at this time that the reality of the devastation set in.
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Award-winning photographer Kevin Bubriski captures in stunning detail the sacred places of Nepal's Kathmandu Valley. Noted scholar Keith Dowman provides history and commentary on the significance of the sites.
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"In the nineteenth century, the likes of Samuel Bourne and John Thomson lugged heavy gear halfway around the world to photograph the people and sights of exotic Asia. In modern times, Bubriski's motivations, methods, and results are virtually the same. Using a large view camera and black-and-white film, he poses the Nepalese with antique formality--always facing the lens directly--and, although greatly sympathetic, he evokes most clearly their exoticism. This backward-looking approach is the troubling aspect of what is in other respects a lovely book. Bubriski is obviously familiar with the country in which he has lived for many years, and he takes us beyond the Himalayan scenes stereotypical of Nepal to remote village life. His meticulous skill and very good eye yield a collection of rich, exquisite photographs, which he disposes into four sections corresponding to the main geographical divisions of Nepal. If they don't tell us much about change in Nepal, they beautifully describe its ancient, perhaps eternal, aspects." - Gretchen Garner, from Booklist
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